Winner Take Some

I still haven’t decided who I’m going to vote for in the New York primary next month.

I watched both the Republican and the Democratic debates last night. I watched the former for entertainment and the latter for information. I thought Obama and Clinton both acquitted themselves well. Edwards doesn’t seem to have much of a message other than “powerful people stand in your way,” and I’m sorry, but anger isn’t a plan.

One thing to keep in mind is that unlike in the general election in November, most Democratic presidential primaries are not winner-take-all; delegates are assigned somewhat proportionally to the vote the candidates receive. Therefore, if your favorite candidate isn’t polling among the top two candidates, you shouldn’t worry that you’d be throwing away your vote on that candidate or casting a spoiler vote.

Still – I honestly don’t know who I support.

NYT 2007 Banner Headlines

I have this weird interest in the front page of the New York Times. One afternoon a few weeks ago I got quasi-Aspergic about it. It turns out you can look at any New York Times front page since February 13, 2002 by using a URL formatted like this one. Just enter the appropriate year, month and day.

Anyway, I realized that in all of 2007, the Times ran only two banner headlines. Neither of them took up more than one line and neither was in all caps, which usually identifies something REALLY IMPORTANT.

The first was on March 7, 2007, after Scooter Libby was convicted:

Libby

The second was on April 17, 2007, reporting the Virginia Tech shootings:

VT

In fact, the last time the Times ran a multi-line, all-caps banner headline was more than a year ago (December 30, 2006), after Saddam Hussein was hanged:

Saddam

I wonder if the Times is trying to de-emphasize banner headlines.

Iowa Schmiowa

As a political junkie, I’m excited about tonight’s Iowa caucuses. But it’s a totally ridiculous system. As Gail Collins writes, “the sturdy Iowa voters will pull on their parkas and go out to fulfill their historic destiny. Perhaps as many as 15 percent of them!” Even David Broder, who is increasingly senescent, is on target here.

Not only will an incredibly small percentage of voters be choosing delegates in a process that doesn’t even allow a secret ballot; they’re not even choosing that many delegates. For instance, on the Democratic side, of the more than 4,000 delegates who will attend the Democratic Convention in August, how many delegates are Iowa Democrats choosing?

Fifty-six [whoops] Forty-five.

Yeah, 56 45 out of more than 4,000. That’s less than 2 percent of all delegates.

And yet the media will be hysterical and breathless tonight and tomorrow, and candidates will drop out either after Iowa or after New Hampshire next week.

It’s ridiculous.

I suggest a compromise. Let Iowa and New Hampshire be the first states to elect delegates (if they must), but make the results secret. No state should reveal the results of its primary or caucus until all 50 states have voted. That way, Iowa and New Hampshire can still go first, but they won’t have undue influence over any other state.

It’ll never happen, of course. Congress can’t make rules for state-by-state elections, let alone intra-party elections. And media companies will never forego their exit polls. And in our hypersaturated media age, the results would inevitably leak out somehow.

Our system sucks.

Happy 2008

Happy New Year!

Tomorrow I go back to work after an 11-day vacation. I haven’t been at work since December 21. For my own future reference, here’s what I’ve done on my vacation:

Fri. 12/21 – left work early; met up with Luke to see “Michael Clayton,” followed by dinner at the Popover Cafe.

Sat. 12/22 – I saw “Atonement” by myself. At night, Matt and I saw a preview performance of November, David Mamet’s new play about the White House, starring Nathan Lane as the president. It sucked. Big disappointment.

Sun. 12/23 – Matt and I saw “Sweeney Todd.” We were invited to gathering at a Brooklyn bar but it was rainy and gross out so we just went home.

Mon. 12/24 – During the day, watched “Ratatouille” on DVD. At night, we had dinner with my parents and my brother and sister-in-law at Docks, a seafood restaurant on the Upper West Side. Christmas Eve and it was hopping, as was the West Side. Afterwards, Matt and I and my parents walked down Broadway and passed Al Franken and a woman (his wife?) walking in the opposite direction.

Tues. 12/25 – I went for a Christmas Day walk through Central Park by myself. Crowded. I walked from the northwestern to the southwestern corner. Then I met up with Luke and we saw “No Country For Old Men” at the AMC on 42nd Street. Afterwards, he came over to our apartment, and Matt and Luke and I ordered in Chinese food and played with the Wii.

Wed. 12/26 – Took the subway down to the Village. Got a haircut, went bookstore hopping, bought The Nine at the Strand. At night, we saw The Receptionist. Creepy! Then we came home and I watched the Kennedy Center Honors on TV. I’d never watched this before — it’s quite fun. I’ll have to watch it next year too.

Thurs. 12/27 – My birthday! I went to the movies by myself; I saw “The Savages.” Excellent, excellent movie. At night I had a birthday gathering at the Xth Avenue Lounge. Got drunk. Matt shepherded me home.

Fri. 12/28 – I can’t remember what I did during the day. At night, met Mike, Luke, Jim, and Jim’s friend at the Duplex for Mostly Sondheim. It was pouring when I left the Duplex. Got home at almost 4 in the morning. Trip home involved subway and taxi due to my impatience.

Sat. 12/29 – Watched “Zodiac” on DVD and fell in love with it. Struggled with the hardest NYT crossword puzzle ever. At night, went to Jim’s birthday party in the way East Village. Luke and Mike were there too. Got home late again.

Sun. 12/30 – Curled up with the Sunday paper, watched “Meet the Press.” Around 3:45 in the afternoon, I went out for another walk around Central Park — I desperately needed to get some daylight in before sunset. Walked around the northern end of the park, then partway down the east side, then took a crosstown bus home. At night, Matt and I saw “National Treasure: Book of Secrets.” Still in love with Justin Bartha.

Mon. 12/31 – Went for yet another long walk through Central Park. Popped into Barnes & Noble by Lincoln Center. Came home, read some more of my book. At night we went to a New Year’s Eve party at a swanky floor-through apartment in the Village along with Mike and our friend Dan. Got drunk. We got home at 2 a.m. and then watched Anderson Cooper and Kathy Griffin celebrate New Year’s in Times Square, which we’d TiVo’d. Gayest CNN New Year’s Eve ever?

Tues. 1/1 – Happy New Year. It looks crappy outside today. I’ll read more of my book and relax. Maybe see a movie? Who knows.

I tend to get sad about the passage of time. Happy moments occur, and then they end. But there are always more happy moments just over the horizon. The happiest moments often come unexpectedly. This vacation — heck, this month — was filled with them. Performing at the Big Apple Corps holiday concert on December 1 (it felt ridiculously early to be singing holiday songs), having our own chorus concert the following weekend, going up to sing at Vassar the weekend after that (well, I had awful laryngitis so I merely watched, but road trips are great).

Going on a road trip to a new place, curling up on the couch with a great movie: happy moments can be found anywhere.

May your 2008, and mine, be filled with such happy little moments.

Happy New Year.

2007 in Books

Here’s a list of the books I read in 2007, in chronological order. Thinking about the circumstances around the reading of a particular book can help you relive that point in time. It’s one of several different ways to reconstruct the past year of my life.

Disneywar, James B. Stewart – I started the year off with this, shortly after finishing a new bio of Walt Disney at the end of 2006 and the end of my long period of unemployment. I didn’t want to leave Disneydom behind, so I picked up the story 18 years after Walt’s death, when Michael Eisner took over. I’m not usually a fan of behind-the-scenes business books, but I really got into all the intrigue here between Eisner, Jeffrey Katzenberg, and others.

Personal Finance for Dummies, Eric Tyson – a free financial session at my new job led me to this book. Really helpful in getting your finances in order.

The Children of Men, P.D. James – I read this shortly after seeing the devastating movie. Many differences from the movie, but still a haunting read.

Snow, Orhan Pamuk – I stopped after 100 pages. I couldn’t get into it. Too slow for me.

The Coming of the Third Reich, Richard Evans
– I’m intrigued by the story of how Hitler came to power. Scary. I was reading this while on a business trip to D.C. in March.

Then in the spring I got on a little Nixon kick:

Nixon and Kissinger: Partners in Power, Robert Dallek

The Wars of Watergate: The Last Crisis of Richard Nixon, Stanley Kutler – I’d always wanted to read the whole story of how Watergate unfolded.

Then as spring turned to summer I got on a big Colonial American History kick. I couldn’t get enough:

Mayflower: A Story of Courage, Community, and War, Nathaniel Philbrick – I started reading this, oddly enough, on the airplane on the way to London, crossing the Atlantic in the opposite direction from the Mayflower.

American Colonies: The Settling of North America, Alan Taylor

The War That Made America: A Short History of the French and Indian War, Fred Anderson

The Glorious Cause: The American Revolution, 1763-1789, Robert Middlekauff – Only read about 100 pages. It was going a bit too slowly for me.

The Americanization of Benjamin Franklin, Gordon Wood
– I read this during a business trip to Vancouver, accompanied by several delicious solitary meals.

The American Revolution: A History, Gordon Wood
– Much swifter than the Middlekauff book.

The Forging of the Union: 1781-1789, Richard B. Morris – Picked this up at the Strand. I wanted to read about the Articles of Confederation period, before the Constitution was ratified. I read most of it (I keep meaning to finish the last two chapters at some point). Toward the end of it I decided I needed to get away from American history for a bit.

Consider the Lobster, David Foster Wallace – A book of essays. Anything by David Foster Wallace is a treat.

The Assassins’ Gate: America in Iraq, George Packer – With the approach of Labor Day I returned to serious fare.

The Big Con: The True Story of How Washington Got Hoodwinked and Hijacked by Crackpot Economics, Jonathan Chait – A great read about the stupidity of infinite tax cuts and how a feckless media enabled the modern Republican party to screw us over.

The Conscience of a Liberal, Paul Krugman – I read about half of this; it’s a good book, but at a certain point I decided, okay, I get it, what’s next?

The Cold War: A New History, John Lewis Gaddis

Takeover: The Return of the Imperial Presidency and the Subversion of American Democracy,
Charlie Savage
– I recently finished this, probably the most depressing and angering book I’ve read this year. It’s about Dick Cheney’s very conscious decision to advance executive power, and how he did so with the help of people like David Addington and the delusional John Yoo. Charlie Savage, who won a Pulitzer this year for his newspaper reporting, is young and cute in a geeky way.

The Nine: Inside the Secret World of the Supreme Court, Jeffrey Toobin – Just started this recently, an inside look at the past 15 years of the Supreme Court. These kinds of books are always fun.

So there it is, my year in books. Here’s to more good reading.

Zodiac

Yesterday I watched what has instantly become one of my favorite films of the year: “Zodiac,” about the search for the Zodiac killer in 1970s San Francisco.

I’d heard a little bit about the movie when it came out early in the spring, and it seemed like something I’d want to see, and then I promptly forgot about it. But in the past few days it’s appeared on several critics’ end-of-year best movies lists, so I decided to rent it from Netflix. I popped it into the DVD player and got sucked right in.

I can’t explain exactly why I enjoyed it so much. It just had this haunting effect on me. It’s too long (2 hours 38 minutes), and yet the length is just right for the story David Fincher is trying to tell. I haven’t read much background about the film, but Fincher (who also directed “Se7en,” “The Game,” “Panic Room,” and “Fight Club”) seems as obsessed with the story as Jake Gyllenhaal’s character, Robert Graysmith, is with solving the murders.

The movie has a great cast. Jake Gyllenhaal, Mark Ruffalo, Robert Downey, Jr. (who deserves an Oscar nomination for Best Supporting Actor, in my opinion), Anthony Edwards, Dermot Mulroney, Philip Baker Hall, Brian Cox, Chloe Sevigny, even Clea Duvall in a very small role. Familiar faces keep popping up all over the place.

Best of all is the eerie score by David Shire, which I’ve downloaded and am listening to as I write this. I think it’s the music that really makes the movie for me.

It turns out that a two-disc edition, including a director’s cut, comes out in just over a week. I’ll definitely be buying or renting it.

Movies on Christmas II

I wound up going to the movies yesterday after all – and not by myself. I went for a walk through Central Park, meandering all the way down the western half of it from north to south. I started at the northwest corner on 110th Street, ambled up the Great Hill, then past the Sheep Meadow, halfway around the Reservoir, past the Great Lawn and the Delacorte Theater, around the west side of the Lake, and over to Bethesda Fountain (which always makes me think of the end of “Angels in America”); then Luke called and we made plans to see “No Country for Old Men.” I walked down the Mall, past the Dairy and the Wollman Rink, then finally exited at Columbus Circle.

Eventually I met Luke for the movie; there were only two seats left when we got there, which were in the front row. So I slumped down into my chair (which fortunately reclined a bit) and stared up at the enormous screen.

Great movie, dark and gruesome at times, and done really really well.

I’ve crossed four movies off my list so far this week — just a handful to go!

Movies on Christmas

I always get all agitated about going to the movies on Christmas Day.

One of my favorite activities during the week of Christmas and New Year’s is going to see lots of Oscar-worthy movies. So far I’ve seen “Michael Clayton” (Friday), “Atonement” (Saturday), and “Sweeney Todd” (Sunday), and yesterday we watched “Ratatouille” on DVD.

The traditional Christmas Day activity for Jews is to go to the movies. Not “traditional” in the sense of “you MUST go see a movie,” but “traditional” in the sense that it just seems like the most enjoyable thing to do today.

The only problem is that Matt and I have very different taste in movies. He doesn’t like seeing serious, award-worthy movies, but I do. He doesn’t feel a need to go to the movies at all, really.

Ordinarily I wouldn’t mind seeing a movie by myself. I saw “Atonement” by myself. But for some reason, seeing a movie on Christmas by myself makes me feel lonely — sitting in a packed theater surrounded by couples or small groups.

I was about to head out to see “Charlie Wilson’s War,” but I’ve decided that I may as well take advantage of the daylight. So I think I’m going to go for a walk in Central Park instead.

Christmastime for the Jews indeed.

Sweeney is a Musical

Not to be a snob, but it’s funny to read anecdotes about people who went to see “Sweeney Todd” this weekend and walked out after figuring out that it was a musical.

…about 15 people walked out of the theater during the film. When it started one of the three *loud* women behind me said “Sh!t, this ain’t a Goddamned MUSICAL is it?” then they proceeded to giggle and moan for the next 20 minutes until they finally left. (Thank GOD!)

TalkinBroadway

Sweeney: The Movie

The first show I ever did in college was Sweeney Todd. After perfoming in conventional musicals in high school — Annie Get Your Gun, Anything Goes, and The Music Man, this was quite a shock. How am I supposed to sing this crap? I thought. Are all college musicals like this?

The show was put on by a group called First Year Players, which does shows in which the entire cast consists of first-year students. (UVa calls its students first-years through fourth-years.) I was in the chorus. At the first rehearsal, the director decreed that none of the males could cut their hair or shave for the duration of the show — two months. I refused, because I was feeling like enough of an outsider at UVa and I didn’t want to make it worse by appearing to be a crazy mountain man. Finally the director relented and let me be clean-shaven.

Our production was what the director called “Brechtian.” I didn’t know anything about Brecht at the time. All I knew was that we framed our production as a show within a show. We were all homeless people putting on a production of Sweeney Todd. Instead of one stage, we had three mini-stages placed among the audience. When the audience came into the theater,
we were already wandering around the stages and the audience members, pretending to be homeless people.

It was strange. And it was the most difficult theater music I ever had to learn. But it was lots of fun and it’s the most prominent memory of my first semester of college.

So I’ve always felt a special connection to Sweeney Todd.

Matt and I saw the movie today. I felt that I was well-versed beforehand in the idiom of Tim Burton’s production, having watched a couple of “making of” specials and seen several clips online. I already knew that Johnny Depp and Helena Bonham Carter (particularly the latter) were doing very different interpretations of their roles, that all iterations of “The Ballad of Sweeney Todd” were cut.

So what did I think of the movie? Well, on the one hand, I’m just thrilled that they made a movie of Sweeney and that millions of people will be exposed to Sondheim’s wonderful score and lyrics. And the movie has great production values — it deserves Oscar nominations for art direction, cinematography, costumes, and maybe makeup and directing. And it was nice to see an actual kid playing Toby. And Alan Rickman was absolutely fantastic as Judge Turpin.

And the movie was so bloody it was wonderfully comical — it made me think of “The Lieutenant of Inishmore,” Martin McDonagh’s blood-soaked Broadway play of last year.

And I enjoyed the cameo appearance by Anthony Stewart Head.

On the other hand, I thought Johnny Depp was rather one-dimensional as Sweeney. I actually liked Helena Bonham Carter’s nontraditional interpretation of Mrs. Lovett more than I liked Depp’s Sweeney. I didn’t hate Depp in the part — I actually liked him quite a bit, and it’s hard for me to hate him in anything — but I would have preferred someone more dynamic in the role.

I missed the choruses of “more hot pies” and “god that’s good” in the song “God That’s Good.” I know Burton cut all the chorus parts for timing reasons, but the movie included all the orchestrations for that song, with nothing sung over it, so given that no time was saved there, he might as well have included the chorus for at least that one song.

And the movie ended way too abruptly. No patty-cake, no policemen, no nothing.

Still, despite the flaws, it’s a top-notch movie, and probably the best film interpretation one could expect. And it will introduce millions of people to the show — for that, I’m thankful.

P.S. My favorite line from a “Sweeney” movie review so far: “Depp’s Sweeney comes across as one more mournful Burton wacko… and his ivory-pale face is crowned by a stiff black mane with a white blaze in it. If you had sat Susan Sontag down and broken the news that not everyone in New York reads Hegel, you would have got the same effect.”

depp sweeneysontag

Banner Headlines

As a modest start for my own edification, I set aside every copy of the New York Times from September 12 through September 25, 2001, fourteen days in which every edition featured a banner headline across page 1, not a record for the newspaper in wartime, I later learned from the newspaper’s archivist – that would be a seemingly unsurpassable 141 consecutive issues, from December 21, 1944, through May 10, 1945, during World War II – but an extraordinary passage in recent American history nevertheless. The record for consecutive banner headlines in peactime, I also learned from that telephone call – and I have saved all of them as well – is November 8 through November 27, 2000, twenty issues altogether, which followed the surreal process of deciding who would be the forty-third president of the United States.

Among the Gently Mad: Strategies and Perspectives for the Book-Hunter in the 21st Century, by Nicholas A. Basbanes